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Coda

(2022-2023)

PhD Dissertation Piece

​"Coda" represents a profound culmination of Zafra's exploration in music composition, embodying his concept of "Metagesamtkunstwerk" — an all-encompassing art form that transcends traditional boundaries and merges life with art.

This composition, a blend of electroacoustic and electronic elements, marks a transformative juncture in Zafra's artistic journey. It is not merely a musical composition but a reflection of his life experiences and philosophical musings.

The title "Coda" is inherently symbolic, traditionally signifying the concluding segment of a musical piece. However, in Zafra's interpretation, it transcends this conventional role, becoming a metaphor for the culmination of a significant phase of his personal and life as a student. It signifies both an ending and a gateway to new beginnings.

The piece’s structure and sound are deeply influenced by Zafra’s diverse musical training and experiences across different cultures. From the rhythmic energy and improvisational elements inspired by his Mexican roots to the disciplined structure and depth drawn from his studies in Leipzig, and the experimental and individualistic approaches acquired during his time at UCSD, "Coda" weaves together these varied threads into a coherent and compelling narrative.

Employing Sibelius software not just as a tool for notation but as an instrument in its own right, Zafra expands the conventional understanding of composition. This approach allows for an exploration of sounds and techniques that might be beyond the reach of traditional acoustic instrumentation, pushing the boundaries of what is possible in music creation.

"Coda" also reflects Zafra's philosophical perspective on art and life, viewing them as intertwined and evolving together. The piece invites listeners to journey through a spectrum of emotions and thoughts, mirroring the complexities of human experience.

ChatGPT 4 (Nov. 30, 2023)

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